When museums reach
out to low-income audiences, they are not looking to reach just urban visitors.
Poverty and low family incomes is as much or more of a concern for rural
Americans than urban according to recent research by the United States
Department of Agriculture. (USDA Poverty Research) In their article, Rural Poverty at a
Glance, the USDA found that 14.2% of rural Americans are living in poverty
vs. 11.6% of people living in metro areas. Also, the median family income is $9,000
less in non-metro areas compared to metro area family incomes. An additional
concern is that in chronically poor rural communities, 45% of adults have a
high school degree or less. (Carsey Institute research on Education for rural poor)
Therefore, museums have a responsibility to reach out to rural audiences (and to
urban audiences addressed in future blog posts) to offer support and
educational opportunities.
One museum that is currently making
headlines is the Crystal Bridges Museum of American Art. The museum opened in
November of 2011 and has been controversial for many reasons. First, the museum
is funded and backed almost entirely by Alice Walton, daughter of Wal-Mart’s
founder Sam Walton, and other foundations associated with Wal-Mart. Many
critics of the museum say that Ms. Walton has used her fortune to steal
culturally significant masterpieces from institutions which can no longer
afford to keep them. Other critics say she is stealing pieces from their rightful
metropolitan, cultured audiences. In response, Ms. Walton has stated that the
people of Bentonville, Arkansas and the surrounding area have as much right to
see fine art as anyone else. Also, she states that the Crystal Bridges Museum
will offer access for the largely rural population that might not otherwise
have the means to visit large institutions like the New York Metropolitan
Museum of Art. In addition to bringing the artwork to the visitors, the museum
has received a $20 million dollar grant that will enable them to wave the $10
admission price for all visitors. (Crystal Bridges Museum of American Art news article)
Obviously, the museum community does not have
the financial capital to build a museum in every rural community, nor is it
always possible to offer free admission. So what other ways can museums serve
rural, low-income audiences?
One opportunity for museums to contribute is school
partnerships and after-school programs. A group called Afterschool Alliance
states,
“In areas where
prospects and resources are limited,
after school programs are often the only source of supplemental enrichment in literacy, nutrition education, technology,
and preparation for college entrance exams.”
Rural public
schools commonly have less funding than urban public schools, and therefore are
lacking in basic funding for curriculum as well as auxiliary funds for
transportation to museums. Instead, museums have the ability to take the museum
to the students. For some, this means teacher training in exhibit materials. For
others, there are mobile museums that take the lesson, objects and props to the
schools. (Afterschool Alliance)
One example is the Museum of New Mexico’s
Outreach Department, which seeks to bring “the resources of the State of New
Mexico's museums and monuments to the public, with a focus on rural and
underserved communities”. They
have a Van of Enchantment, which is a converted RV with artifacts from various
museums and monuments around the state of New Mexico. The Museum of New Mexico
also offers Treasure Trunks, which are boxes with artifacts and replicas that
can be taken into the classroom for use by students and teachers. (Museum of New Mexico Outreach Department)
Written by Jen Christensen
Great post! I'd like to know more about the after-school programs. How many are there in rural areas? How often are they used?
ReplyDelete--Audrey
This is interesting to think about, I never realized that poverty is greater in rural areas than urban ones--although I think the statement that "the median family income is $9,000 less in non-metro areas compared to metro area family incomes" is more a reflection of the fact that the cost of living is merely higher in cities, and therefore incomes tend to be a little higher. The median income might be $9,000 more, but it doesn't mean the poverty is necessarily any less...
ReplyDeleteI think that distance learning techniques like videoconferencing, online exhibits, and teacher resources are one way that museums can reach out to low-income rural audiences that are too far away to easily visit museums.
One really great program out there is the Smithsonian Affiliates program - from their website:
ReplyDelete"The mission of Smithsonian Affiliations is to share these resources with Americans in their own communities by developing collaborative partnerships with museums, cultural and educational organizations. Together, we bring the Smithsonian, in all of its breadth and scope, to local communities and create lasting experiences that broaden perspectives on science, history, world cultures and the arts."
"In addition to artifact loans, Smithsonian Affiliations helps member organizations identify appropriate resources within the Smithsonian to accompany exhibit loans: education and performing arts programs, expert speakers, teacher workshops, and technical assistance. These may also serve as stand alone activities developed specifically for Affiliate members. Smithsonian Affiliations also offers career development workshops for museum professions, stipended internships for Affiliate-based students, and stipended research opportunities for Affiliate-based visiting professionals."
So...if you find yourself in the middle of nowhere trying to inject some culture and educational opportunities into the local atmosphere, check out their website for more information: http://affiliations.si.edu/DetailPage.Asp?MenuID=44
Also of note - the SI used to have an AMAZING Naturalist Center out in Loudon County, VA...but has decided to move the collections BACK into the city. In my opinion this is quite unfortunate, because the Naturalist Center was serving audiences that were far enough away from DC that they were unlikely to visit the NMNH. In one of my conversations with one of the curators he expressed dismay that children in school groups (some of which came from West Virginia) had often expressed astonishment and wonder at the collections...having *never been inside a museum (any museum) before.*
While it will be nice to have a Resource Room at the NMNH, I don't see why they had to entirely shut down the Naturalist Center. To read more about it, check out: http://www.mnh.si.edu/education/planned_programs/naturalist_center.html
If only we could martial the resources, enthusiasm, and support to get it going again...
- Courtney Prutzman
I was glad that you brought up the Crystal Bridges Museum of American Art. I admit that I have thought it sad that so many pivotal American pieces were moving to the middle of nowhere. When discussing Kindred Spirits by Asher B. Durand last year, my professor lamented the fact that Alice Walton had bought the work and it would be moving to a far less accessible location. But you make a good point that the museum could greatly benefit the rural populations in the surrounding area.
ReplyDeleteI have to admit, I don't know much about rural areas or how best to work with them, but thinking of rural audiences brings to mind one of my favorite TEDtalks, Teaching Design for Change by Emily Pilloton. https://www.ted.com/talks/emily_pilloton_teaching_design_for_change.html
ReplyDeleteWhile not strictly museum-related, in this talk, Pilloton describes going to Bertie County, North Carolina, a poor rural county, and developing a design program for high school students that translates into real improvements for the community. Overall, a highly inspiring story.
I find it discouraging that people thought that cities had more ownership over a museum collection than a rural area does. How did Ms. Walton "steal culturally significant masterpieces" if they are still on display and for the public to see?
ReplyDeleteTHANK YOU for this post. I have long thought that rural audiences are underserved by state museums & historical organizations. Since I grew up in an area that is art-poor at best, I can relate. Rural kids have a lot of advantages over city kids in some ways but there's no way that distance learning can replace the experience of seeing an actual object up close. The beauty of "vans of enchantment" is that, in addition to their mobility and sweet name, they often hold replicas (rather than the original), offering a more tactile experience to the learner.
ReplyDeleteElisabeth - I agree. Just because someone chooses not to live in a metropolitan area (or is born there and stays) does not mean that s/he is any less deserving of the experience of "the real thing."
To clarify, I was by no means implying that rural audiences don't deserve art. But as someone who would want to see the museum someday, I hope that access will become a bit easier. An article (http://www.huffingtonpost.com/2011/11/08/crystal-bridges-museum-of-art-alice-walton_n_1081448.html) says that
ReplyDelete"For out-of-state visitors, the trip won't be short or simple. Bentonville is a two-hour drive from the nearest major airport in Tulsa, though the nearby and growing Northwest Arkansas Regional Airport is just a few miles from town."
Here's hoping that the regional airport does indeed grow so access will become easier. If not, road trip, anybody?